In terms of technology though, this flick is outstanding. It's worth sneaking into the theater for 20 minutes or so to check out the movie's use of 3-D, which is unlike what I'd seen before. It uses it for depth and texture, rather than as a gimmick to make you dodge your head to the side. Wet cobblestones look realistic, for example, as does moisture glimmering on a wooden railroad tie. Pretty cool, but ultimately it does not redeem this lugubrious movie, made all the worse in that it's marketed as a family movie. Take your kids if you want to give them a nap.
Tuesday, February 28, 2012
OSCAR NOMINEE FOUR -- HUGO
Hugo is a pretty dull movie with fantastic set design and 3-D effects. It has some kid who lives in a bustling train station back in olden tyme Paris or some place like that. Like all movie kids, this one is plucky, resourceful, blah blah blah. He fixes clocks around the place, steals shit, and runs from Borat, who wants to throw him in child prison. There's a mean old guy and this robot that mostly doesn't do anything. The old guy has a terrible secret which the movie endlessly delays revealing, giving him numerous opportunities to express his anguish, as the story creeps toward it's less than fantastical conclusion. Everybody is redeemed at the end and we are meant to be enchanted. Snore.